DEBUT CD REVIEW IN THE STRAD

“…Eldbjørg Hemsing […] makes a good start with this powerful performance. A gorgeous, open-hearted piece, full of flowing lyricism, to which she brings warm and beautiful playing… Hemsing weaves steadily and unfussily, but with increasing emotional intensity. The finale scuttles along brilliantly.”

Tim Homfray | The Strad | 9th May 2018

The Norwegian composer Hjalmar Borgström was famous in his day but quickly fell into obscurity, his music bedded in the Germanic 19th century and considered old-fashioned and ‘not Norwegian enough’ at the beginning of the 20th. His compatriot Eldbjørg Hemsing wants to bring him back to notice, and makes a good start with this powerful performance of his 1914 Violin Concerto.

It is a gorgeous, open-hearted piece, full of flowing lyricism, to which she brings warm and beautiful playing. Her phrasing is supple and nuanced, flecked with neat little touches of vibrato and variations of dynamic. The central Adagio is far-ranging, moving from musing opening to a jaunty central section, and on to something more torridly passionate before leading straight into the dancing finale. Hemsing deftly handles all the transitions.

It is a bit of a gear-change from Borgström to austere Shostakovich (Bruch would have worked nicely). Hemsing weaves steadily and unfussily, but with increasing emotional intensity, to the climactic double-stops of the first movement. In the Scherzo she plays with an edge of violence, biting and snapping. The orchestra matches her vivid playing, but the recording sets it in the background, in a resonant acoustic. She is as fine in the third movement as the first in progressively ratcheting up the tension before easing down into the cadenza, which in its turn grows steadily to a searing climax. The finale scuttles along brilliantly.

ELDBJØRG HEMSING STORMEN ARTIST IN RESIDENCE

Eldbjørg Hemsing named 2018 ‘Artist in Residence’ at Stormen Konserthus

Violinist Eldbjørg Hemsing is the ‘2018 Artist in Residence’ at Stormen Konserthus Bodø Norway, where she will perform in concert and recital on several occasions throughout the year. The iconic concert hall, which is situated in Bodø in the far North of Norway, was unveiled in 2014 and has been praised for both its world-class acoustics and initiative in presenting musical excellence. In her first appearance at Stormen Eldbjørg Hemsing will perform Massenet’s Thaïs: Méditation at the New Year’s Gala Concert (5 January 2018), together with the Nordnorsk Opera og Symfoniorkester – Arctic Philharmonic and conductor Henrik Schaefer. She returns in spring to perform Hjalmar Borgström’s Violin Concerto in G major, op. 25 (9 March) with the Nordnorsk Opera og Symfoniorkester – Arctic Philharmonic and Eva Ollikainen – Conductor, with an additional performance at KulturHuset i Tromsø. Also featured in the Residency are performances of Dvořák ́s Mazurek and Halvorsen’s Norwegian Dances for Violin and Orchestra at the NOSO ́s outdoor concert at Nordland Musikkfestuke, whilst her final appearance will be a specially programmed recital with the acclaimed Macedonian pianist Simon Trpčeski. “I am honoured to be appointed Stormen’s ‘2018 Artist in Residence” commented Eldbjørg Hemsing. “I can’t wait to get up to the North again where I have such fond memories of previous performances and where the wild and powerful nature gives a different dimension of musical inspiration. I am particularly proud to be performing Borgström’s violin concerto which is a piece that I have become passionate about and which deserves much more attention than it currently receives. He is a Norwegian composer who was famous at the beginning of the 20th century but whose name has completely dropped from programmes both at home and abroad.”

About Stormen Konserthus Bodø / Stormen Concert Hall Bodø

Stormen Konserthus Bodø / Stormen Concert Hall Bodø’s world-class acoustics ensure optimal conditions for classical masterpieces as well as the performances of pop/rock shows, theatre, dance and conferences.The large hall seats 900 people and offers some of the worlds best acoustics for classical music. Variable acoustic panels and a full size flytower and orchestra pit makes this hall equally suitable for opera, ballet, pop, jazz, rock and theatre. Our Steinway grand piano was carefully selected by Leif Ove Andsnes. The small hall seats 240, the chamber hall around 80. The foyers are well suitable for concerts and receptions, and legendary club venue Sinus (460 capacity) has the perfect atmosphere for jazz and rock. “We are very proud to appoint Eldbjørg Hemsing as the ‘2018 Artist in Residence’. She has truly established herself as a top international artist and we look forward to the variety of her virtuoso performances at our concert hall.” Rolf-Cato Raade, director Stormen.