Recorded with pianist Simon Trpčeski, the disc features Grieg’s Violin Sonata No. 1 in F Major Op. 8, Violin Sonata No. 2 in G Major Op. 13, Violin Sonata No. 3 in C Minor Op. 45, andEldbjørg’s original work, ‘Homecoming‘ for Violin & Piano – based on traditional Norwegian folk tunes.
”Edvard Grieg is a name I have heard for as long as I can remember, and for me, his music is the sound of my childhood in many ways …” Eldbjørg has told The Violin Channel.
“I have always loved the purity and lyricism of Grieg’s music and to finally have the opportunity to record the three sonata works is for me both exciting, as well as a little intimidating – especially given how iconic they are …” she has said.
“I hope this CD will inspire listeners to explore the works of Edvard Grieg and of all the great Norwegian composers … our music is so wonderfully linked and inspired by our rich folk music heritage.
As a celebrated ambassador of Norwegian cultural heritage, Eldbjørg Hemsing was always going to turn to Edvard Grieg eventually – a composer who is central to both Norwegian music history and the Romantic era in general. Hemsing’s new recording of Grieg’s three violin sonatas on BIS Records also has a much more personal biographic background, however.
In 1848, Ludvig Mathias Lindeman received funding from the Collegium academicum of Christiania (Oslo) University to collect folk tunes for Edvard Grieg. During his travels across Norway, he stayed in Valdres and met Hemsing’s great-great-grandfather Anders Nielsen Pelesteinbakken, who sang a tune to him. Lindeman noted it down and Grieg later found it in the collection. The small fragment of the folk tune must have caught the composer’s attention and he subsequently used the melody as the inspiration and main theme of one of his greatest works for solo piano, the Ballade, Op. 24.
Over 170 years later, Eldbjørg Hemsing is presenting her own interpretation of Grieg’s three sonatas for violin and piano. The sonatas are considered to be representative of different stages in Grieg’s artistic development and were composed over a period of 20 years. The second violin sonata can be seen as one of Grieg’s great successes in capturing the musical identity of his native country, particularly in the sequences based on peasants’ dances. Because of her passion for preserving Norway’s rich folk music heritage – as demonstrated in her previous projects such as the second ever recording of Hjalmar Borgström’s violin concerto – Hemsing was keen to explore the compositions of her famous fellow countryman, who so profoundly shaped the Norwegian cultural identity.
Alongside the Grieg sonatas, Eldbjørg Hemsing is also presenting her first original composition „Homecoming – Varitations on the folk tune from Valdres“ as a testament to the personal significance of this new recording and its history. Moreover, in pianist Simon Trpčeski Hemsing has found a strong musical partner, an internationally acclaimed artist praised for celebrating the rich folk traditions of his own native country, Macedonia.
Grieg Violin Sonatas will be available exclusively on Apple Music from February 21st 2020. The album will be released globally from March 6th 2020 on all streaming platforms as well as in physical format in your closest CD shop.
“…mit der 28 Jahre alten Eldbjørg Hemsing begeistert nun wieder eine junge Geigerin aus Norwegen. Hemsing ist nicht nur eine feinsinnige und kluge Interpretin, sie entlockt ihrer Guadagnini auch einen sehr persönlichen, unverwechselbaren Geigenton. Zart, intim und filigran wirkt er im Kern, dabei aber selbst im gehauchten Piano noch sinnlich und klangvoll.”
Julia Spinola | 2. Oktober 2018 | Süddeutsche Zeitung
Es muss etwas Verzauberndes in den nordischen Fjorden und Berglandschaften liegen. Nachdem die bereits mehrfach preisgekrönte Vilde Frang die internationalen Podien erobert hat, begeistert mit der 28 Jahre alten Eldbjørg Hemsing nun wieder eine junge Geigerin aus Norwegen. Mit Musik des weitgehend unbekannten norwegischen Komponisten Hjalmar Borgström hatte sie im April ihr Debüt gegeben. Auch auf ihrer zweiten CD meidet sie jetzt die ausgetretenen Pfade und spielt neben Antonín Dvořáks Violinkonzert die selten zu hörende Fantasie in g-Moll für Violine und Orchester von Dvořáks Schwiegersohn Josef Suk. Hemsing ist nicht nur eine feinsinnige und kluge Interpretin, sie entlockt ihrer Guadagnini auch einen sehr persönlichen, unverwechselbaren Geigenton. Zart, intim und filigran wirkt er im Kern, dabei aber selbst im gehauchten Piano noch sinnlich und klangvoll. Im leidenschaftlichen Forte, etwa im Eröffnungsthema des Dvořák-Konzerts, beginnt dieser eindringlich singende Ton irisierend zu leuchten. Mit ein wenig Fantasie hört man hier den großen David Oistrach heraus, dessen Schüler Boris Kuschnir Hemsings Lehrer war.
“Forte” is the new feature film from David Donnelly(“Maestro“) on three strong, utmost remarkable and ouststanding women who are achieving unlikely success in classical music: Norwegian violinist Eldbjørg Hemsing, Argentinian composer and conductor Lucía Caruso and Russian-born violinist Tatiana Berman from the United States.
Story:Forte is the international story of three women who are challenging industry norms by making their own rules in a musical genre steeped in tradition. A young Norwegian soloist champions a rare, self-discovered composition and risks a promising career to bring it to life. A small-town girl, born and raised in the Russian Arctic, gives up an executive position at a top artist management corporation to create her own international maverick agency. An Argentinian composer gets the opportunity of a lifetime. And a cultural entrepreneur and mother of three struggles to balance her family and career. The one thing these bold, game-changing individuals have in common is: strength.
Direction/Production: Forte is written and directed by David Donnelly, founder of Culture Monster and director of the acclaimed hit documentary Maestro. It is produced by David Donnelly and Anastasia Boudanoque, founder of Primavera Consulting. Executive Producer is Roland Göhde of the Göhde Foundation.
Filming Locations: Sintra, Portugal; Cincinnati, Ohio; Paris, France; London, England; New York, New York; Rhinecliff, NY; Mendoza, Argentina; Aurdal/Oslo, Norway; Berlin, Germany; Moscow, Russia
Privacy & Cookies Policy
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.